For Constriction

“The rattling soundscape by Benjamin Burns, the sharp slices of Kevin Murphy’s light design and Ishikawa’s own body in restless, fluid movement.”

The Irish Times

“Sound from Benjamin Burns and lights from Kevin Murphy heighten the mood at every turn; there are horror movie strings that shriek through the little black room, and Murphy suggests the speed and thrust of a bullet train in a tunnel with his lighting arrangements.”

The Reviews Hub

 For Anatomy of A Night - Edinburgh Fringe 2025

“The visuals of this piece are nothing short of astounding. Kevin Murphy’s lighting design is like nothing you’ve ever seen before, all played in glorious time with the music and action onstage. We’re not just talking a bit of strobe, there’s LED strips on the floor, lasers in the sky, there’s even a bog-standard torch being used in the most striking way.”

Binge Fringe

 For Double Act

“The lighting and sound design (Kevin Murphy and Aoife Kavanagh respectively) are big parts of this performance, both are pivotal to tone shifts and are executed seamlessly, with the use of different types of lighting around the stage really creating some depth and grandeur at times.”

The Reviews Hub

 For Anatomy of A Night

“Kevin Murphy’s striking lighting.”

The Irish Times

“The routines were enhanced by first-class lighting and a soundtrack level that never overwhelms the audience.”

No More Workhorse

 For The Blue House

“The magnificent lighting design by Kevin Murphy enhance[s] the bleakness, gradually building to an uncomfortable crescendo as the trio force themselves apart.”

Fairy Powered Productions